Second season of the Monogatari Series, part 1/2. Contains the arcs Tsubasa Tiger, Mayoi Jiangshi, Nadeko Medusa, Shinobu Time, and Hitagi End, from the Nekomonogatari White, Kabukimonogatari, Otorimonogatari, Onimonogatari and Koimonogatari light novels, respectively.
 
These stories take place after the end of the summer vacation when the apparition of the bee had left and the apparition of the phoenix avoided any consequences… Now that Koyomi Araragi and the girls were entering their new school terms, they were once again about to encounter supernatural beings…but this time, they may not be so easy to deal with.
 
Tsubasa Hanekawa, Mayoi Hachikuji, Nadeko Sengoku, Shinobu Oshino, and finally Hitagi Senjougahara. The girls’ loneliness, their confessions, and their departures… 5 new “stories” begin now.
 
(Source: Aniplex) 
 
Notes:
 
 Includes 3 recap episodes from the TV version (Ep. 6, 11, 16).
 
The recap episodes were not included in the Blu-Ray version of the anime.

First season of the Monogatari Series, part 5/6. Contains the arcs Karen Bee and Tsukihi Phoenix from the Nisemonogatari light novels.
 
In Bakemonogatari, the story centered on Koyomi Araragi, a third year high school student who has recently survived a vampire attack and finds himself mixed up with all kinds of apparitions: gods, ghosts, myths, and spirits. However, in Nisemonogatari, we pick up right where we left off and follow Koyomi as the psychological twists delve deeper and deeper...
 
(Source: Aniplex)

A tale of heroine Tsubasa Hanekawa from her own perspective, in her own voice—if that can hold true for a damaged soul who, depending on who you’re asking, suffers from a split personality or a supernatural aberration. The bone-chilling brokenness of her household, where father and mother and daughter keep three separate sets of cookware in the same kitchen and only ever prepare their own meals, and the profound darkness nurtured in the genius schoolgirl’s heart, come to life, if that is the word, through her self-vivisection.
 
(Source: Kodansha USA)

Third season of the Monogatari Series, part 2/5. Adapts the arcs Koyomi Stone, Koyomi Flower, Koyomi Sand, Koyomi Water, Koyomi Wind, Koyomi Tree, Koyomi Tea, Koyomi Mountain, Koyomi Torus, Koyomi Seed, Koyomi Nothing, and Koyomi Dead from the Koyomimonogatari light novel.
 
“You’re looking for a horror story? I wish I got one for you." Untold stories… one per month for one year… Taking place between other Monogatari stories, a chapter not yet told surrounds Koyomi Araragi and the strange happenings he gets pulled into over the course of a year. With one episode told per month, the story unravels in this 12 episode-long series of shorts.
 
(Source: Aniplex)
 
Premiered on the Japan-exclusive Koyomimonogatari mobile app.

Adaptation of the Koyomi History short story, released in the Madogatari blu-ray.

Third and “Final Season” of the Monogatari Series, part 3/5. Contains the arcs Ougi Formula, Sodachi Riddle, Sodachi Lost and Shinobu Mail from the Owarimonogatari light novels.
 
During the month of October of his third year in high school, Koyomi Araragi is introduced to a transfer student named Ougi Oshino by his underclassman Suruga Kanbaru. Ougi tells Koyomi that she has something she wishes to consult with him. When she draws the map of Naoetsu High School, she finds something peculiar on there. This discovery reveals a tale that wasn’t meant to be told, and this makes Koyomi’s high school life totally different. This is the story that brings to light “what” makes Koyomi Araragi. This is the story that reveals the “beginning” of everything.
 
(Source: Aniplex)
 
Note: The first episode aired with a runtime of ~48 minutes as opposed to the standard 24 minute long episode.

How far does one go to help a lost child? In the case of returning narrator Araragi, the answer is too far, across the veil of time. Dutifully (if unknowingly) following up on Hachikuji’s cheeky foreshadowing, he concerns himself with his young lady friend and her fate in this instalment of the cult-hit series, heroically unable, once again, to find his own way home.
 
Thus the tale is also, or more so, about the journey itself, the dark honeymoon of a trip he takes into the past with the dweller in his shadow, Shinobu. Even among a cast that routinely disrespects chronology with their meta-commentary, she takes the cake, or the doughnut, by rewinding the clock for a perverse road movie, one that by and large goes nowhere, spatially.
 
It’s Kabuki not as in the theatre, but with the character for “tilt”—as in a slanted attitude toward the world, the posture of a bohemian. Or, perhaps, of a legendary vampire who once sought death, and of a high school senior who once tuned out life doing their dandy best to attend to an embarrassing wealth of aberrations in a provincial town.
 
(Source: Kodansha USA)

A certain middle school girl has a fondness for hats, which serve as a line of defence against eye contact along with the overlong bangs she’s worn ever since she was little. Speaking in fits and starts when she doesn’t fall completely silent, her go-to line is “I’m sorry,” and she’s given to referring to herself in third person. Nadeko Sengoku is pretty, and not just cute.
 
(Source: Kodansha USA)

It, like the dark that makes up most of the cosmos, is not an aberration. Nonbeing can swallow you whole, yet if anything, it’s the anti-aberration. Darkness, in fact, is the Law, an executioner from whom a mark can try to run and hide, but only for so long. When it comes calling, the fortunate just might have the time to say goodbye. And the Darkness is—here now. Before ever visiting Japan to find a place to die, four centuries, indeed, before her failed suicide attempt, the legendary vampire KissShot literally stepped foot on the land of the rising sun with an epic jump that ended a lonely sojourn in Antarctica. It was back in those days that the proud noble created her first thrall. It was then, too, that she first met the Darkness.
 
(Source: Kodansha USA)

Circling back to a middle school girl’s apotheosis, if we can call it that, in OTORIMONOGATARI, and the mortal threat it poses to the hero and his girl, this “Season Two” finale is narrated, for the first time in the series, by a grown-up—but if the word conjures a sense of reliability, of stability and certainty to you, dear reader, then the lesson to take home from this is to trust no one.
 
Because the teller of the tale, who has been summoned by the heroine to defuse the situation, despite having been her nemesis since the very outset of the series, is—in the absence of the equally shady adult, Oshino, who at least was an expert—none other than his college frenemy, the fake ghostbuster who doesn’t believe in ghosts, the shameless swindler Deishu Kaiki.
 
And it is indeed a con that he agrees to perpetrate, uncharacteristically pro bono, on a wrathful god—a mythic undertaking if true, which it may be, when a liar among liars holds that his story, like any other, is all a lie. But maybe not, when a man who claims to be wise in the ways of the world sounds just as self-conscious as his adolescent counterparts or a Russian anti-hero.
 
(Source: Kodansha USA)

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