One day, high-school student Koyomi Araragi catches a girl named Hitagi Senjougahara when she trips. But—much to his surprise—she doesn’t weigh anything. At all. She says an encounter with a so-called “crab” took away all her weight …
 
Monsters have been here since the beginning. 
Always. 
Everywhere.
 
(Source: Kodansha USA)

The first part of the Monogatari Series.
 
There’s a girl at their school who is always ill. She routinely arrives late, leaves early, or doesn’t show up at all, and skips gym as a matter of course. She’s pretty, and the boys take to whispering that she’s a cloistered princess. As the self-described worst loser in her class soon finds out, they just don’t know what a monster she is. So begins a tale of mysterious maladies that are supernatural in origin yet deeply revealing of the human psyche, a set of case files as given to unexpected feeling as it is to irreverent humour.
 
(Source: Kodansha USA)
 
Note: The English release and the JP ebook edition have Bakemonogatari split across three volumes, instead of the original two volumes.

First season of the Monogatari Series, part 1/6. Contains the arcs Hitagi Crab, Mayoi Snail, Suruga Monkey, Nadeko Snake, and Tsubasa Cat from the Bakemonogatari light novels. 
Thanks to Meme Oshino, Koyomi Araragi, a high school student, is able to remain a human after coming across a female vampire... However, since the incident, Koyomi seems to meet girls who have an apparition-related issue. Hitagi Senjougahara doesn’t weigh anything, Suruga Kanbaru’s right arm becomes like that of a monkey’s, and a young girl, Mayoi, cannot find her way home no matter how many times she tries. Koyomi, a Mr. Nice Guy, ends up helping each and every girl solve her problem with the help of Meme Oshino.
 
(Source: Aniplex)

A promotional video coinciding with the release of the sixteenth Bakemonogatari manga volume. 
 
Note: Initially shown off at the Ito Oogure's "Oh! Great Exhibition" in 2021.

Around midnight, under a lonely street lamp in a provincial town in Japan, lies a white woman, a blonde, alone, robbed of all four limbs, yet undead. Indeed, a rumour’s been circulating among the local girls that a vampire has come to their backwater, of all places. Koyomi Araragi, who prefers to avoid having friends because they’d lower his “intensity as a human,” is naturally sceptical. Yet it is to him that the bloodsucking demon, a concept “dated twice over,” beckons on the first day of spring break as he makes his way home with a fresh loot of morally compromising periodicals.
 
(Source: Kodansha USA)

Following up on the high note of family ties on which the previous instalment concluded, but preceding it chronologically, we find Araragi and his little sister Tsukihi, the heroine of the last volume, in full sibling rivalry mode as they bicker about love. The conversation that cannot end unfolds in its unabashed original glory herein. Like KIZUMONOGATARI, which delved into our narrator’s disastrous spring break, Cat Tale (Black) is a prequel about another catastrophe, mentioned often yet never recounted even in a foregoing chapter dedicated to Miss H.: namely, the model student’s rampage over Golden Week, a string of holidays starting at the end of April.
 
(Source: Kodansha USA)

A tale of heroine Tsubasa Hanekawa from her own perspective, in her own voice—if that can hold true for a damaged soul who, depending on who you’re asking, suffers from a split personality or a supernatural aberration. The bone-chilling brokenness of her household, where father and mother and daughter keep three separate sets of cookware in the same kitchen and only ever prepare their own meals, and the profound darkness nurtured in the genius schoolgirl’s heart, come to life, if that is the word, through her self-vivisection.
 
(Source: Kodansha USA)

Five short stories, one for each of the Bakemonogatari girls which appeared in the complete guidebook. 
Hitagi Buffet 
Mayoi Room 
Suruga Court 
Nadeko Pool 
Tsubasa Song

Unlike ne’er-do-well former vampire Araragi, his two younger sisters Karen and Tsukihi, who attend a private junior high, are little balls of energy and charisma that their peers look up to. That the “ka” in Karen and “hi” in Tsukihi are both written with the character for “fire” isn’t the only reason they’ve come to be known as the Fire Sisters. Karen is the brawn and Tsukihi the brains of a vigilantism that the pair sees not merely as defending justice but as justice itself. They can’t encounter a harmful fad without trying to hunt down a specific source that had a motive for spreading it. In their big brother’s humble opinion, there is something fake and precarious about it all.
 
(Source: Kodansha USA)

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