Endo and Kobayashi love to bicker about their latest video game fixation. They think they're simply providing color commentary, but one of the game’s characters, Siegwald, can hear them talking about his fiancée, the villainess Lieselotte!
 
(Source: HIDIVE)

__Height:__ 173 cm
__Skills & Abilities:__ Kendo

[Profile (Pony Canyon)](https://www.ponycanyon.co.jp/artist/31356600) | [Twitter](https://twitter.com/black_fukuyama)

Fukuyama released his debut music album "Romantic World 31" on his birthday (November 26) in 2009, his second album "Love Letters 2: Paris Romantic" on July 21, 2010, his third album "Fukuyama Jun, Ai wo Utau!" on May 25, 2011, and his fourth album "Love Letter 3 ~Matsuri no Kuni de~" on May 22, 2013. He also appeared in a 2009 romantic comedy movie Fujoshi Kanojo in a cameo role.

**Non-anime roles:**
- [Joker](https://anilist.co/character/121590/Ren-Amamiya) - Persona 5
- Renya Goutou - 13 Sentinels: Aegis Rim
- [Camu](https://anilist.co/character/278324/Camu) - Punishing: Gray Raven
- [Kamui](https://anilist.co/character/259960) - Punishing: Gray Raven
- Vyn Richter - Tears of Themis
- Martin - Rune Factory 5
- Hugo - Zenless Zone Zero
- Logos - Arknights

One day, Crown Prince Sieg hears the Voices of the Gods out of the blue. Apparently, his fiancée Lieselotte is a “tsun de rais” villainess destined to meet her demise...and her sharp tongue is just a way of covering up her embarrassment. The prince can hardly contain himself after discovering Lieselotte's adorable hidden side. Little does he know, the heavenly beings that bestowed this knowledge unto him are actually high schoolers! Can he use their divine prophecy (let’s play commentary) to save his betrothed and avoid a Bad End?!
 
(Source: J-Novel Club)
 
Note: The manga was cancelled due to a disagreement between the original writer of the light novel and the editorial department of B's-LOG COMIC that caused the revocation of the adaptation license. This happened due to mismanagement of the manga adaptation and lack of communication with the original author by the editorial department.

Kuon Kirise